The BEND XPO in East Moline hosted an unforgettable three-day event that brought together thousands of car lovers from across the region. Over the weekend, the venue buzzed with excitement as visitors marveled at a dazzling array of custom-built rods and restored classics. The sheer diversity of entries made this year's show particularly special, with each vehicle showcasing unique craftsmanship and design elements that reflected decades of automotive evolution.
Among the highlights was the presence of Butch Patrick, best known for his role in "The Munsters." Patrick arrived in style aboard his famous Dragula, captivating fans who lined up for autographs and photo opportunities. From vintage posters to personalized memorabilia, Patrick’s charm and enthusiasm added an extra layer of nostalgia to the event. His interactions with attendees underscored the deep connection between pop culture and automotive history.
One of the most mesmerizing aspects of the show was the live demonstrations by pinstriping artists. These skilled craftsmen transformed ordinary vehicles into rolling masterpieces right before the audience’s eyes. The precision and creativity involved in freehand painting intricate patterns highlighted the blend of art and engineering that defines the custom car scene. Attendees were treated to a rare glimpse into this specialized craft, which has been passed down through generations.
The auction of freshly painted pieces generated significant funds for local animal shelters, adding a philanthropic dimension to the festivities. This initiative not only showcased the generosity of the community but also emphasized the importance of giving back while celebrating automotive heritage. The fusion of art and charity created a heartwarming narrative that resonated with everyone present.
The visual splendor of the show was immortalized by Full Throttle Photography, whose lens captured every moment of excitement and emotion. Photographer Brad Foster documented the event with stunning detail, ensuring that the memories of this extraordinary gathering would last long after the final day. His images vividly portrayed the passion and dedication of both exhibitors and spectators, offering a lasting tribute to the spirit of the event.
From gleaming chrome finishes to the expressive faces of attendees, the photographs told a compelling story of human connection through shared interests. They served as a testament to the enduring allure of classic cars and the vibrant community that surrounds them. As fans eagerly anticipate next year’s extravaganza, these images will undoubtedly inspire continued participation and growth within the automotive enthusiast community.
Music artist William Leonard Roberts, better known as Rick Ross, is currently embroiled in two significant legal disputes. One involves an outstanding tax liability with the State of Georgia, while the other centers around a lawsuit filed by a paraplegic attendee of his car show event. Both cases highlight the complexities of financial obligations and accessibility concerns within the entertainment industry.
The Georgia Department of Revenue has taken legal action against the rapper for unpaid taxes. According to court documents, Ross owes a considerable sum that has escalated over time due to interest and penalties. This issue underscores the importance of staying current with tax payments and highlights the potential consequences of neglecting such responsibilities.
The musician's tax debt began with an initial amount of nearly $30,000 from 2021 but has ballooned to over $64,000 due to additional charges. The state tax execution filed against him details the breakdown of this debt, including interest, penalties, and collection fees. Despite owning properties in both Georgia and Florida, no resolution has been reached yet. The lien lists a Florida address for Ross, raising questions about his residency status and its implications on his tax liabilities.
In a separate but equally significant matter, Ross faces a lawsuit brought by a paraplegic man named Darris Straughter. The plaintiff claims he was misled about the accessibility of the rapper's car show event, which caused him considerable inconvenience and distress. This case brings attention to the need for clear communication and proper accommodations for individuals with disabilities.
Darris had planned his attendance meticulously, even selling his car to finance the trip. Upon arrival, however, he found that the event lacked wheelchair-accessible shuttles and other necessary facilities. He spent hours waiting under the summer sun while other attendees were transported smoothly. Ross and his company have contested the lawsuit, arguing that Darris did not have a formal contract and that he had previously attended without issues. The ongoing case emphasizes the importance of ensuring inclusivity and addressing the needs of all attendees in future events.
The Detroit Auto Show, held in January for the first time since 2019, has reestablished its significance in the automotive industry. The event, which took place at Huntington Place, highlighted the future of the sector while emphasizing the importance of local communities, employees, and consumers. Despite being smaller than previous editions, this year's show demonstrated a renewed focus on connecting with stakeholders and providing an engaging experience for attendees. Over five days, visitors explored various exhibits, including electric vehicle demonstrations and interactive tracks, underscoring the growing interest in automotive technology. The show also emphasized its role in fostering future talent, with increased participation from educational institutions and young professionals.
In the heart of Motor City, during a brisk winter month, the Detroit Auto Show made its long-awaited return to Huntington Place. This January gathering marked a significant milestone as it reunited industry leaders, dealers, and enthusiasts after years of pandemic-induced hiatus. Karl Zimmermann, chairman of the event and CEO of Matick Automotive Group, emphasized that success now means adapting to new realities and focusing on what truly matters—the community. The show featured displays from 22 brands, including the Detroit Three (Ford, General Motors, and Stellantis), alongside other prominent manufacturers like Alfa Romeo, BMW, and Volkswagen. Visitors had the opportunity to explore four indoor tracks, each offering unique experiences such as off-road challenges and electric vehicle test drives. One highlight was the Powering Michigan EV Experience track, showcasing the latest advancements in sustainable transportation.
Beyond the exhibits, the event served as a platform for nurturing the next generation of automotive talent. Schools and universities actively participated, bringing students to engage with cutting-edge technologies and meet industry experts. Sam Klemet, the first-time director of the show, expressed optimism about attracting younger audiences and fostering innovation. He noted that area schools organized field trips, and 16 universities presented at the AutoMobili-D technology showcase. This emphasis on education and youth engagement reflects the industry's commitment to cultivating future engineers and designers, ensuring that Detroit remains at the forefront of automotive innovation.
From a journalist's perspective, the revival of the Detroit Auto Show signifies more than just a return to tradition; it represents a shift towards a more inclusive and forward-thinking approach. By prioritizing community involvement and embracing technological advancements, the event not only reconnects with its roots but also paves the way for a brighter future in the automotive world. It serves as a reminder that while digital platforms have their place, there is no substitute for the tangible excitement and interaction that physical events bring to the table.